Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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VIVIEN, Joseph
Bildnis des Kurfersten Maximilian II

ID: 73195

VIVIEN, Joseph Bildnis des Kurfersten Maximilian II
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VIVIEN, Joseph Bildnis des Kurfersten Maximilian II


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VIVIEN, Joseph

French painter (b. 1657, Lyon, d. 1734, Bonn) French painter and pastellist, active in Germany. He trained in Paris in 1672 with the painter Fran?ois Bonnemers (1638-89), also attending the Acad?mie Royale, where his oil painting the Punishment of Adam and Eve (untraced) won a second prize in 1678. Only in 1698 was he received (re?u) at the Acad?mie, as a pastellist, on presentation of portraits of the sculptor Fran?ois Girardon and of the architect Robert de Cotte (both Paris, Louvre; see PASTEL, fig. 1). Having been commissioned to execute a pastel Self-portrait (Florence, Uffizi) by Maximilian II Emanuel, Elector of Bavaria, in 1699, the following year he was appointed the Elector's principal court painter (see WITTELSBACH). He henceforth divided his time between Paris, the Elector's courts at Brussels and Munich,  Related Paintings of VIVIEN, Joseph :. | The Penance of St.John Chrysostom | Joseph Presents his Father and Brothers to the Pharoah | Battle of Kircholm | Christ-s First Appearance to the People | Sheep on a dyke |
Related Artists:
Arthur Melville,ARSA,RSW,RWS
1855-1904
Herman Lindqvist
painted Fran Ringsjons strander in 1868-1923
Juan Luna
Juan Luna y Novicio (October 23, 1857 - December 7, 1899) was an Ilocano Filipino painter, sculptor and a political activist of the Philippine Revolution during the late 19th century. He became one of the first recognized Philippine artists. His winning the gold medal in the 1884 Madrid Exposition of Fine Arts, along with the silver win of fellow Filipino painter Felix Resurreccien Hidalgo, prompted a celebration which was a major highlight in the memoirs of members of the Propaganda Movement, with the fellow Ilustrados toasting to the two painters' good health and citing their win as evidence that Filipinos and Spaniards were equals. Regarded for work done in the manner of the Spanish and French academies of his time, Luna painted literary and historical scenes, some with an underscore of political commentary.






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